Sem dúvida é um programa sempre a ter em conta e que vale a pena baixar (AQUI) a versão grátis que faz quase tudo da versão paga.
Na atualização 12.5 foram feitas mais de 1000 melhorias e 250 novos recursos e com isso milhares de pessoas passaram a usar o DaVinci Resolve como editor e não só para coloração. Outro ponto positivo foi a rapidez com que fizeram as atualizações que se estava pedindo no fórum da Blackmagic. Em um mês temos ai a versão 12.5.1
A atualização 12.5.1 para o DaVinci Resolve está disponível para download (AQUI) .
Esta atualização fornece a capacidade de decodificar arquivos Apple ProRes no Windows, o que evita a necessidade de usar o QuickTime 7.
Também foi otimizado o corte e edição de material gravado com múltiplas câmeras, porque agora o programa usa um código próprio de 64 bits para ler e criar arquivos .mov
Além disso, novos efeitos foram adicionados no ResolveFX ( Generate Color e Tilt-shift Blur). Esta versão também suporta Ultra HD H.264 renders noWindows, HEVC (H.265) decoding on Linux, o formato Sony X-OCN , alpha channel em conteúdos DNxHR 444, melhoria no encoding AAC, facilita o processamento de arquivos AVCHD .mts e muito mais.
Veja aqui a lista completa da atulização DaVinci Resolve 12.5.1 (inglês)
Edit Improvements
- Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
- Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
- Added ability to import and export duration markers using EDL
- Added the ability for clips to snap to their own markers when adjusting In and Out points
- Improved consistency of edit functions when Timeline is in full screen mode
- Added support for box wipe mode for offline reference wipe
Color Improvements
- Improved performance for Spatial Noise reduction in Better mode
- Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
- Added ability to apply grades from a reference wipe using the viewer context menu
- Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
- Next node and previous node operations now loop around the node graph
- The ‘displayed’ node graph now automatically updates when the current still is changed
- Swapping nodes now also swaps the node labels
- Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
- Added support for left eye and right eye grades for the timeline node graph (Studio version)
- Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
- Added ability to convert a mono clip into stereoscopic 3D (Studio version)
- Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
- Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
- Added support copying DolbyVision grades using stills and middle click (Studio version)
- Improved 3D and Qualifier panel layout in dual screen mode
- Improved behavior to stay on the same frame when joining two clips
Resolve FX Improvements
- Added ResolveFX Generate Color (GPU accelerated)
- Added ResolveFX Tilt-shift Blur
- Added support for anamorphism in ResolveFX Lens Blur (Studio version)
- GPU acceleration support for ResolveFX Lens Flare (Studio version)
- Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
- GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
- Improved ResolveFX Scanlines and added various composite modes
- Ability to view the ResolveFX Scanline layer without the background
- Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
- Added support for horizontal/vertical ratio in ResolveFX Glow
- Added support for pan and tilt on ResolveFX Prism Blur
- Improved performance for ResolveFX Light Rays
- Improved performance for ResolveFX JPEG Damage
Media Improvements
- Added new Import Media options to File menu and Media Pool context menu
- Added support for stereoscopic 3D clips in Media Management (Studio version)
- Added ability to create stereo clips with mismatched source resolution (Studio version)
- Added support for display drive names in Media Storage on Windows
- Addressed issues with open file location from Media Pool on Linux
- Added Source Name tag support for filename without extension
Codec & Format Improvements
- Adds direct support for ProRes decode on Windows so that QuickTime 7 is no longer required
- Improved .mov decode and encode performance on Windows
- Support for UHD H.264 renders on Windows
- Improved .mov decode and encode performance on Linux
- Added support for HEVC (H.265) decode on Linux
- Added support for alpha channel on DNxHR 444
- Added support for the Sony X-OCN format
- Added support for various AAC encode parameters on macOS
- Added support for QuickTime AAC audio encoding on Windows
- Added support for V-Gamut in RCM for improved Panasonic camera image handling
- Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
- Addressed decoding of last frame in some Panasonic AVCHD clips
- Improved handling of AVCHD .MTS clips
General Improvements
- Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
- When running DaVinci Resolve in window mode, the macOS dock is now visible
- Improved latency for remote grading (Studio version)
- Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
- Improved behaviour when creating render jobs on locations without write permissions
- General performance and stability improvements
